The Supreme Artist

Srila-PrabhupadaIn February 1973, Śrīla Prabhupāda was invited to speak at an art gallery in Auckland, New Zealand. There he invited his listeners to contemplate the works of the supreme artist—Lord Kṛṣṇa. “The rose is created out of the energies of the Supreme Lord, but these energies are so subtle and so artistic that a nice flower can bloom overnight. So, Kṛṣṇa is the greatest artist.”

 
Ladies and gentlemen, I thank you very much for coming here and giving us a chance to speak about the supreme artist. The Vedas describe how great an artist Kṛṣṇa is: na tasya kāryaṁ karaṇaṁ ca vidyate na tat samaś cābhyadhikaś ca dṛśyate. Nobody can be found who is greater than the Supreme Personality of Godhead or equal to Him, and although He is the greatest artist, He doesn’t have to do anything personally.

 
In this world everyone of us knows somebody lesser than us, somebody equal to us, and somebody greater than us. That is our experience. However great you may be, you will find somebody equal to you and somebody greater than you. But as far as the Supreme Personality of Godhead is concerned, great sages have concluded by research and experiment that nobody is equal to Him or greater than Him.

 
God is so great that He has nothing to do, no duties He must perform (na tasya kāryaṁ karaṇaṁ ca vidyate). Why? Parāsya śaktir vividhaiva śrūyate: His energies are multifarious, and they are working automatically, according to His desire (svābhāvikī jñāna-bala-kriyā ca). Suppose you are an artist. To paint a picture of a very nice rose, you have to take your brush, mix your colors on the palate, and tax your brain to make the picture beautiful. But in a garden you can see not only one rose but many thousands of roses blooming. They have been very artistically “painted” by nature.

 
But we should go deeper into the matter. What is nature? Nature is a working instrument, that’s all—an energy. Without some energy working, how could the rose bloom so beautifully from the bud? There must be some energy working, and that energy is Kṛṣṇa’s energy. But it acts so subtly and swiftly that we cannot understand how it is working.

 
The material energies seem to be working automatically, but actually there is a brain behind them. When you paint a picture, everyone can see that you are working. Similarly, the “painting” of the actual rose is also worked out by several energies. Don’t think that the rose has been created automatically. No. Nothing is created automatically. The rose is created out of the energies of the Supreme Lord, but these energies are so subtle and so artistic that a nice flower can bloom overnight.

Slide through these slides to get mesmerized by Lord’s artistry:
 
 
So, Kṛṣṇa is the greatest artist. Nowadays, in the electronic age, a scientist just pushes a button and his machine works so perfectly. Or an airplane pilot simply pushes a button and a huge machine just like a small city flies in the sky. So if it is possible for ordinary men of this world to work so wonderfully simply by pushing some buttons, how much greater must be God’s ability to work. How much more fertile His brain must be than ordinary artists’ or scientists’ brains. Simply by His desire—“Let there be creation!”—everything is immediately manifest. So Kṛṣṇa is the greatest artist.

 
There is no limit to Kṛṣṇa’s artistic ability, because Kṛṣṇa is the seed of all creation (bījaṁ māṁ sarva-bhūtānām). You have all seen a banyan tree. It grows from a small seed. This small seed has so much potency that if you sow it in a fertile place and water it, one day it will become a big banyan tree. Now, what are the potencies, what are the artistic and scientific arrangements, within that small seed that allow it to grow into a big banyan tree? Also, on that banyan tree there are many thousands of fruits, and within each fruit there are thousands of seeds, and each seed contains the potency of another tree. So where is the scientist who can create in that way? Where is the artist within this material world who can create a work of art as pleasing as a banyan tree? These inquiries should be made.

 
The first aphorism of the Vedānta-sūtra is athāto brahma jijñāsā: “In the human form of life one should inquire about the Absolute Truth.” So one should carefully study these questions. You cannot manufacture a machine that automatically grows into a big banyan tree. So don’t you think there must be a big artistic brain, a great scientific brain, behind nature? If you simply say, “Nature is working,” that is not a sufficient explanation.

 
The second aphorism of the Vedānta-sūtra is janmādy asya yataḥ: [SB 1.1.1] “The Absolute Truth is He from whom everything is generated.” We have to expand our vision from the small things to the great things. Now we become amazed when we see a small sputnik flying in the sky. It is flying toward the moon, and we are giving all credit to the scientists, and the scientists are challenging, “What is God? Science is everything.”

 
But if you are intelligent you will compare the sputnik to the millions and trillions of planets and stars. Just on this tiny earth planet there are so many oceans, so many mountains, so many skyscrapers. But if you go above this planet a few million miles, it will look just like a small spot. You will see it as just a spot in the sky. And there are millions of planets floating in the sky like swabs of cotton. So if we give so much credit to the scientists who have manufactured a sputnik, how much more credit we should give to the person who has manufactured this universal arrangement. This is Kṛṣṇa consciousness—appreciating the greatest artist, the greatest scientist.

 
We may appreciate so many artists, but unless we appreciate the greatest artist, Kṛṣṇa, our life is wasted. We find that appreciation in the Brahma-saṁhitā, the prayers of Lord Brahmā, the creator of this universe. In appreciation of Govinda, Kṛṣṇa, he sings,

 
yasya prabhā prabhavato jagad-aṇḍa-koṭi-
koṭiṣv aśeṣa-vasudhādi-vibhūti-bhinnam
tad brahma niṣkalam anantam aśeṣa-bhūtaṁ
govindam ādi-puruṣaṁ tam aham bhajāmi
[Bs. 5.40]

Now we are trying to understand the planetary system by our scientific method. But we have not been able to finish studying even the nearest planet, the moon, what to speak of the millions and billions of other planets. But from the Brahma-saṁhitā we get this knowledge: yasya prabhā prabhavato jagad-aṇḍa-koṭi-koṭiṣu [Bs. 5.40]. By the glaring effulgence emanating from Kṛṣṇa’s body, innumerable universes are created. We cannot study even one universe, but from the Brahma-saṁhitā we get information that there are innumerable universes and that in each and every universe there are innumerable planets (jagad-aṇḍa-koṭi-koṭiṣu). (Jagad-aṇḍa means “universes,” and koṭi-koṭiṣu means “in innumerable.”) So there are innumerable universes with innumerable suns, innumerable moons, and innumerable planets.

 
All of this is made possible by Kṛṣṇa’s bodily effulgence, which is called the brahmajyoti. The jñānīs, those who are trying to approach the Absolute Truth by mental speculation, by dint of their tiny brain power, can at most approach this brahmajyoti. But that brahmajyoti is only the illumination of Kṛṣṇa’s body. The best analogy is the sunshine. The sunshine is coming from the sun globe. The sun is localized, and the effulgence of the sun, the sunshine, is distributed all over the universe. Just as the moon reflects the sunshine, the sun also reflects the brahmajyoti. And the brahmajyoti is the bodily effulgence of Kṛṣṇa.

 
So the greatest art is to understand Kṛṣṇa. That is the greatest art. If we actually want to be an artist, we should try to understand, or try to be intimately associated with, the greatest artist, Kṛṣṇa. For this purpose we have established the International Society for Krishna Consciousness. The members of this society are trained to see in everything the display of Kṛṣṇa’s artistic sense. That is Kṛṣṇa consciousness—to see the artistic hand of Kṛṣṇa everywhere.

 
In the Bhagavad-gītā [10.8] Kṛṣṇa says, ahaṁ sarvasya prabhavo mattaḥ sarvaṁ pravartate: “Whatever you see is an emanation from Me. Everything is created out of My energy.” One should understand this fact—that Kṛṣṇa is the origin of everything. Lord Brahmā confirms this in his Brahma-saṁhitā [5.1]: īśvaraḥ paramaḥ kṛṣṇaḥ. “Kṛṣṇa is the supreme controller.” Here in this material world we have experience of many controllers. Every one of us is a controller. You are a controller; I am a controller. But above you there is another controller, and above him there is another controller, and so on. You may go on searching out controller after controller, and when you come to the supreme controller—He who is not controlled by anyone but who controls everyone else—that is Kṛṣṇa. This is our definition of God: the supreme controller.

 
Nowadays it has become a cheap business to see many “Gods.” But you can test someone to see if he is God. If he is controlled by somebody else, he is not God. Only if he is the supreme controller should you accept him as God. That is the simple test for God.

 
Now, another quality of God is that He is full of pleasure (ānandamayo ’bhyāsāt). By nature the Supreme Absolute Person is ānandamaya, full of pleasure. Suppose you are an artist. You engage in artistic work just to get some pleasure. By painting a picture you enjoy some rasa, some pleasurable mellow. Otherwise, why would you work so hard? There must be some pleasure in painting.

 
So, Kṛṣṇa is raso vai saḥ, the reservoir of all pleasurable mellows. He is sac-cid-ānanda-vigrahaḥ [Bs. 5.1], full of eternity, knowledge, and pleasure. (Ānanda means “pleasure.”) His pleasure potency is Śrīmatī Rādhārāṇī. You have seen pictures of Rādhā and Kṛṣṇa. So, Rādhārāṇī is the manifestation of Kṛṣṇa’s pleasure potency. As I have already explained, Kṛṣṇa has innumerable energies, and one of these is His pleasure potency, Rādhārāṇī.

 
So those who have developed love of God are enjoying transcendental pleasure at every moment by seeing the artistic work of Kṛṣṇa everywhere. That is the position of a devotee. Therefore we request everyone to become a devotee, to become Kṛṣṇa conscious, so that you will see the artistic work of Kṛṣṇa everywhere.

 
Seeing Kṛṣṇa everywhere is not difficult. For example, suppose you are thirsty and you drink some water. When you drink you feel so much pleasure. And Kṛṣṇa is the reservoir of all pleasure (raso vai saḥ). So, that pleasure you feel by drinking water—that is Kṛṣṇa. Kṛṣṇa states this in Bhagavad-gītā [7.8]: raso ’ham apsu kaunteya. “I am the taste of water.” For an ordinary person, who cannot fully appreciate Kṛṣṇa, Kṛṣṇa is giving the instruction that He is the taste of the water that quenches your thirst. If you simply try to understand that this taste is Kṛṣṇa, or God, you become God conscious.

 
So it is not very difficult to become Kṛṣṇa conscious. You simply require a little training. And if you read Bhagavad-gītā As It Is—understanding it the way it is stated by Kṛṣṇa Himself, without any rascaldom or false interpretation—you will become Kṛṣṇa conscious. And if you become Kṛṣṇa conscious, your life is successful. You will return to Kṛṣṇa (tyaktvā dehaṁ punar janma naiti mām eti [Bg. 4.9]).

 
There is no loss in becoming Kṛṣṇa conscious, but the gain is very great. Therefore we request all of you to try to become Kṛṣṇa conscious. Read Bhagavad-gītā As It Is; you will find all the information you need to become Kṛṣṇa conscious. Or, if you don’t want to read Bhagavad-gītā, please chant Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. You will still become Kṛṣṇa conscious.

 
Thank you very much.
 
To read the Bhagavad-Gita as it is:
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